FILM MARATHON: Movie Musicals #3: Kiss Me Kate [1953]

“You louse!” I’m a sucker for multi-layered films depicting simultaneous stories at once, juxtaposing onstage performances with the backstage antics of the actors involved. Kiss Me Kate, screenplay by Dorothy Kingsley and music by Cole Porter, shows the theatrical opening inter-workings of a stage musical, by the same name, styled on William Shakespeare’s The Taming of the Shrew—or as I like to call it, 10 Things I Hate About You. But the beauty of George Sidney’s work behind the camera is that he allows every single aspect to be shown,…

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TIFF10 REVIEW: Bunraku [2010]

“Love is temporary; Hope is eternal” Bunraku may be the term used to describe a form of traditional Japanese puppet theater, but that is no longer what I am going think when the word comes up in casual conversation—because it happens so frequently. Instead, I will recall memories of writer/director Guy Moshe’s unique vision of a future where the law is enforced by battles of skill and hand-to-hand or samurai combat, guns now outlawed from use. His Bunraku is an unforgettable film of high style and high-concept that was three…

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REVIEW: Shall We Dance [1937]

“The first time I’m in love, I’m in love with you” They just don’t make movies like this anymore and there definitely isn’t a comparable screen duo working today. Fred Astaire and Ginger Rogers collaborated on an astounding ten films together; most described jokingly by my friends as having the same plot and being mere vehicles to showcase their dance moves. Astaire and choreography partner Hermes Pan—who would dub Ginger’s taps and teach her the steps after each routine was crafted—infused some spectacular pieces in these movies, many shot with…

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