REVIEW: Havoc [2005]

There is a monetary zone of geography which we’re not allowed to pass. I can’t help wondering what Havoc might have been if Jessica Kaplan had the means to make it herself in the 90s like today’s aspiring filmmakers can thanks to affordable technology. She was seventeen when she sold her script “The Powers That Be” based on what she experienced growing up in West Los Angeles. It appears she was more or less the role Matt O’Leary plays (Eric)—an observer trying to understand why these rich white kids are…

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REVIEW: Grindhouse – Planet Terror & Death Proof [2007]

“These guys got the devil in them” A double-bill, Rodriguez and Tarantino—two of the most entertaining directors working today—faux trailers, and a 70’s pulp aesthetic…can a movie of this magnitude ever live up to the almost Godlike expectations for it? Generally there is no way the real thing can meet the hype, but with the amount of talent and creativity involved here, how could Grindhouse be anything but a masterpiece? Robert Rodriguez and Quentin Tarantino know their genres and are never afraid to mix in a little violence or camp…

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REVIEW: Bobby [2006]

“The once and future king” Emilio Estevez has thrust himself back into the limelight this year with his passion project about the day of Robert F. Kennedy’s assassination. While doing maybe four or so acting roles in the past seven years, Estevez has honed his directorial skills with tv shows and I’m sure tweaked his script and signed a wishlist of actors. I’m sure it was the storyline parallel between RFK’s Vietnam messiah with the hope for one today in Iraq by the Hollywood Democrats that drew many to the…

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REVIEW: Harsh Times [2006]

“Soldiers of the Apocalypse” Harsh Times is an intense film. Keeping you on the edge of finding out how crazy events can become seems to be a staple in the writing of David Ayer. He penned the script for the gritty cop drama Training Day and saw its star, Denzel Washington, win an Oscar for his portrayal of the conflicted beast at its core. With his new film, and directorial debut, Ayer has crafted another street drama about people who themselves don’t know whether they are the good guys, the…

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