Posterized Propaganda March 2013: ‘Stoker,’ ‘Place Beyond the Pines,’ ‘Spring Breakers’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. I’m honestly not sure if it is possible to cram more movies in one 31-day period (five Fridays!). Let’s just say the dump month doldrums have ceased and we’ve moved…

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REVIEW: Head Over Heels [2012]

Cute is the first word that pops in my mind after watching Timothy Reckart‘s Head Over Heels. It’s a term containing positive and negative connotations, both of which are included in this story about an elderly married couple that has drifted apart. And I don’t mean metaphorically—they’ve literally separated to the point where Walter (Nigel Anthony) roams their home on the floor as Madge (Ruth Rayyah McCaul resides on the ceiling in a mirrored gravitational pull. They may have been “head over heels” in love when the sweet photo hanging…

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