BIFF16 REVIEW: Mercy [2016]

“Why would you let her suffer?” It’s practically impossible to talk about what’s happening in Chris Sparling‘s latest thriller Mercy without spoiling it. The writer/director knows, splitting it into three pieces as a result: the first third completely shrouded in mystery, the next a replay from alternative perspectives, and the last the truth of the pursuers’ identities and the lies their victims have been spinning from the start. The only other Sparling film I’ve seen is his most popular one, Buried (he wrote with Rodrigo Cortés directing), but the similarities…

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REVIEW: Always Woodstock [2014]

“Don’t love anyone that makes you hate your art” The feature debut of writer/director Rita Merson is mired in convention. Think to yourself about five cinematic tropes that could be found in a romantic dramedy and I’ll bet you at least four are present in Always Woodstock. But that’s not telling you anything you wouldn’t already guess from a plot centering on a young wannabe songwriter stuck in a dead-end, soul sucking job meant to help get a foot into the music industry who finds herself escaping to the country…

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