REVIEW: She Dies Tomorrow [2020]

I want to be useful in death. Do you feel that? The despair in and anxiety for a future as uncertain as it has ever been with civil unrest, genocide, climate disasters, global pandemics, and the ability to inject each of those horrors into our veins via technological progress that’s systematically hijacked by propagandists, charlatans, and malicious operators with no ambition other than sowing animosity and confusion? The futility in a present torn asunder by rich white men screaming at each other across a political divide while leveraging the lives…

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REVIEW: Brigsby Bear [2017]

“Prophecy is meaningless. Trust only your familial unit.” The best films are those that come out of nowhere and should be viewed as such. Seriously. Stop reading and go see Brigsby Bear yourself because the less you know about it the better. That’s not to say its conceit is a spoiler—its complete shift in perspective and environment occurs barely fifteen minutes in and proves crucial as the impetus for the entire plot—but I was glad I was completely unaware. I read the description about how the film deals with a…

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REVIEW: Restless [2011]

“One—with a big fat head” I looked forward to this film with anticipation after watching its sweetly touching trailer of quirky kids, death, and the journey taken to find light amidst darkness. Gus Van Sant appeared the perfect match as a visionary able to do so much with sparse material; to allow quiet moments of introspection room to breathe and more resonate sentimentality an authenticity to rise above its inherent triteness. He found a way to make Good Will Hunting‘s overly clichéd script great and Elephant‘s silent storm invigorating, but…

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