TIFF REVIEW: Skin [2019]

This is what I have. Bryon ‘Babs’ Widner (Jamie Bell) hears the buzz of a faulty electrical connection, triggering a transition to an operating table and screams as the tattoos covering most of his body start being removed. It’s a soundscape that’ll have you squirming in your seat, the close-up shots of scar tissue replacing ink as physical a transformation as the act is metaphorical. Because the art adorning his face, neck, and torso isn’t some elaborate supernatural fantasy with family memorials—it’s a map to the blackest center of his…

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REVIEW: Fathers and Daughters [2015]

“I have very self-destructive tendencies” The works of director Gabriele Muccino aren’t for everyone. I can’t speak on his Italian films, but the American ones are unavoidably cloying and sentimental in a way that must be accepted or ignored to find resonance. Despite being the one showered with praise, The Pursuit of Happyness didn’t quite do enough for me. I appreciated the story and performances, but felt the artifice. For Seven Pounds, however, I didn’t care. The entire film proved one giant manipulative contrivance yet it unexpectedly hit me with…

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