REVIEW: The Beach House [2020]

Life is so fragile. There’s a lot to like about Jeffrey A. Brown‘s feature directorial debut The Beach House from its gorgeous production design to its ruminations on mankind’s fragility when compared with Mother Nature’s hardier offerings (despite our penchant for believing we hold dominion over Her). It’s therefore easy to appreciate the reason Emily (Liana Liberato), Randall (Noah Le Gros), Mitch (Jake Weber), and Jane (Maryanne Nagel) have arrived at a site that may end up being their tomb because we’re quick to ignore the baked-in irony too. This…

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REVIEW: Measure of a Man [2018]

This time I had something to prove. The coming of age dramedy is a crowded genre with many seminal works established in the 70s and 80s. It’s tough to therefore see any entries without comparing them to what came first. Some can still find their niche and win audiences over before earning a place besides those former greats, but oftentimes they simply feel too familiar to necessitate a second look. The latter category is a shame because familiarity isn’t always synonymous with “bad.” Take Jim Loach‘s Measure of a Man,…

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REVIEW: If I Stay [2014]

“True love’s a bitch” I am not a proponent of stories that hinge the possibility of undying live between teenagers on an unspeakable tragedy. This was my biggest issue with the overwrought sequels to Twilight and their brazen desire to show how star-crossed lovers would commit suicide before ever imagining a world outside the other’s arms. Cry all you want about how Romeo and Juliet did the same: Twilight is not Shakespeare. To that point, neither is Gayle Forman. Yes it’s a tough world and we all dream about a…

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TIFF10: Day Three Recap

Day Three at TIFF was by far our craziest of the year—seeing five films back-to-back from 11AM to 2:30AM. The late start allowed for a bit of sleeping in for preparation, as well as a semi-lengthy breakfast at Timmy Ho’s, both of which probably kept us from falling asleep during the marathon sittings. And while the last two of the night finally saw a bit of humor infused into the otherwise heavy schedule of dramas that do take something out of you, the morning opened with what could have been…

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TIFF10 REVIEW: Trust [2010]

“Just because she didn’t scream doesn’t mean it wasn’t rape” While writing my 2010 Toronto International Film Festival preview, I scoured the internet for poster images of the films I was to see. When it came to David Schwimmer’s sophomore effort Trust, all I discovered was a promo poster featuring a large, determined, floating head of Clive Owen set above a darkened, foreboding street featuring a man with his back turned, walking menacingly within. I’ll admit, I had no idea what the film was about, but having seen it now,…

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