Below is my December 26th ballot for the 23rd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2019 calendar year. Each category is ordered according to my preferential rankings. Group winners were announced on January 6th, 2020 and are labeled in red.
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We were like hurricanes. What’s a better hustle than declining the price tag a Hollywood studio offered for your life rights to wait until the film is a hit and then sue the production for defamation? Samantha Barbash pretty much bet on the story—I’m hypothesizing that this was her intent based solely on her characterization in Jessica Pressler‘s New York Magazine article “The Hustlers at Scores” and Lorene Scafaria‘s cinematic adaptation Hustlers—and stands to make something regardless of how often these types of cases are dismissed. She’d usually have to…
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“You guys want wine? Cheese? Ketamine?” If you’ve ever dabbled in theoretical physics—or watched “The Big Bang Theory”—you’ve probably heard of Schrödinger’s Cat. The cat that’s simultaneously dead and alive while unseen within a closed box also housing a vial of poison? Two realities co-existing with the only certainty being that both are possible until one snaps into place as truth when the flaps are unfolded to reveal an opaque interior newly transparent? Its wild paradox can either baffle you or help in comprehending quantum physics depending how deep down…
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“You were the love of my life” It’s easy to conjure images of post-apocalyptic wastelands, cryptic symbolism, and philosophical ruminations when one thinks about the end of the world. Hollywood uses this fascination to create science fiction actioners and depression-laden dramas each decade even though the layperson would never fall into such over-the-top cliché. Most John Q. Publics would let loose, create some sort of last minute bucket list, and live without consequence after years of cautious sacrifice and regret. Despite inevitable riots, chaos, and crime, one shouldn’t ignore the…
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