REVIEW: Annabelle Comes Home [2019]

Miss me? After an excitingly popular debut during The Conjuring‘s prologue, the creepily revamped Annabelle doll (its real-life counterpart was actually a Raggedy Anne) earned the title role in the first spin-off of this ever-growing horror universe. That installment left much to be desired with screenwriter Gary Dauberman eventually redeeming himself three years later on Annabelle: Creation thanks in part to director David F. Sandberg. You might assume this demonic vessel would then be left alone since its tragic trajectory had now been fully drawn from the home of its…

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REVIEW: Gifted [2017]

“This could work out” Stories about prodigies are too often mired in tragic mental health issues or careers with boundless accolades and successes. Some can be done very well and others are redundant to the point of avoidance. The sub-genre of child prodigies is oftentimes even worse because it generally targets young audiences and therefore never possesses the nuance to be anything more than an upward trajectory with few pitfalls to traverse along the way. Either the child is stewarded by a selfless adult to greatness or the child is…

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REVIEW: Mr. Church [2016]

“I learned to turn away from the sun and face the moon” If you didn’t know what you were getting into upon sitting down for Bruce Beresford‘s Mr. Church, you will following this onscreen text: “Inspired by a True Friendship.” The vagueness of this statement notwithstanding, the words ooze enough schmaltz to prepare you for the melodrama of death and miracles screenwriter Susan McMartin has concocted. Maybe she based it on a friendship she had with an adult male who become her father figure in a time of need or…

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