“A fastball on the outside corner” It seems that many people have been docking points from Denzel Washington‘s latest directorial effort Fences by labeling it as “too theatrical.” Well, that’s somewhat hard to avoid when you’re dealing with August Wilson‘s Pulitzer Prize and Tony Award-winning play and its wall-to-wall dialogue touching upon love, responsibility, race, and politics on an emotionally resonate level beyond much of what Hollywood delivers “cinematically.” I’ve personally never held a stagey aesthetic against a film as long as the performances prop up the script’s location shortcomings…
Read MoreREVIEW: Fences [2016]
