“Did they hear me? Did I scream?” Words can seriously not describe the visually rich and assaulting epic tale of death and its aftermath of memories and spiritual travel that is Gaspar Noé’s Enter the Void. Self-proclaimed as “weird” by the director himself at it’s World Premiere at the Toronto International Film Festival, (the print screened at Cannes was a work-in-progress), he says his attempt was to create a near death experience on film. So, with stunning imagery; fullscreen frames of solid bright color pulsating at epileptic seizure-inducing rates; extended…
Read MoreTuesday, April 16, 2024
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