REVIEW: A Most Wanted Man [2014]

“You can’t undo what’s done” You wouldn’t be wrong to assume a lot of what’s happening during the course of A Most Wanted Man are red herrings steering us away from the truth it’s suspense thriller hides, but you would be mistaken. What I love about John le Carré—admittedly removed from his text in my only being familiar with cinematic adaptations of his work like the underrated The Constant Gardener and the taut Tinker Tailor Soldier Spy—is that there never seems to be any superfluity. Instead he finds a way…

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TIFF12 REVIEW: Passion [2013]

“Why don’t we kiss and make up?” Five years after his last foray behind the camera, writer/director Brian De Palma looks to take some of the alternative devices used to film Redacted and combine them with the sexual thriller genre to which he is so indelibly aligned. A remake of the 2010 French film Love Crime, the auteur brings Natalie Carter and Alain Corneau‘s tale to Germany and lets its cutthroat female executives have at it. Beginning as a congenial work relationship, our central duo’s dynamic quickly spills into their…

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REVIEW: Unknown [2011]

“And that’s where I first saw Leonardo’s Vitruvian Man” I have it on good authority from a friend that Jaume Collet-Serra’s Unknown, as well as Didier van Cauwelaert’s French-language novel it’s based on, is uncannily similar to Roman Polanski’s Frantic. Unfortunately, to my chagrin, I have no opinion on the accusation, having not seen the 1988 film, but I’d lie if I didn’t admit my view of the new release is a bit tainted now. The premise of both are definitely eerily similar and my friend knows what he’s talking…

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