REVIEW: Murder at Yellowstone City [2022]

You killed hope. Nobody in the Montana Territory circa 1881 is watching a former slave like Cicero (Isaiah Mustafa) walk into town without keen interest. That goes for friends and foes alike. Luckily for him, Yellowstone City is a progressive settlement in many ways. It has its fair share of racists and bigots to be sure, but you can’t help feeling heartened as far as seeing a saloon owned by a gay couple (Richard Dreyfuss‘ Edgar and John Ales‘ Mickey) who act as fathers to wayward souls like the young…

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FANTASIA19 REVIEW: Astronaut [2019]

To see where we belong. It’s the beginning of the end for Angus Stewart (Richard Dreyfuss). His wife recently passed after a difficult and costly bout with dementia, his heart isn’t what it used to be, and his family is unsure about what to do to help him adjust. While his daughter Molly (Krista Bridges) and grandson Barney (Richie Lawrence) want him to move in, his son-in-law Jim (Lyriq Bent) can’t help wondering if enduring the strain of another aging parent on a daily basis isn’t good for his wife’s…

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REVIEW: RED [2010]

“Did you vacuum?” My only knowledge of director Robert Schwentke was that he helmed the Jodie Foster vehicle Flightplan that didn’t interest me in the slightest and the sub-par adaptation yet very effective film version of The Time Traveler’s Wife. So, I wasn’t sure on whether his newest comedic actioner RED would end up being a hit or miss despite a couple of very fun trailers. Ends up Schwentke directed a couple well-received German language works to begin his career trajectory to Hollywood too, he isn’t just some hack brought…

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REVIEW: Let It Ride [1989]

“This is just taking advantage of an extraordinary business opportunity” I sometimes forget how blatant music was used in films of the 1980s. Let It Ride may have been made in 1989, but it did not leave that trend behind quite yet. Not only do the cheesy rock ballads come through at the start, the montage shots behind the credits are graced with one that has the title in the lyrics. That’s just how Hollywood rolled in the 80s, and the process recalled those films of John Hughes, a man…

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REVIEW: W. [2008]

“Bushington” I’m going to start this review by saying I have no idea why Oliver Stone thought his new film W. would have any effect on the upcoming elections. The guy gave himself almost no time to edit his footage so that it could be released two weeks before Election Day. Don’t get me wrong, the film is constructed very nicely, he did a great job in that short time, all I’m saying is that he didn’t need to rush. I mean if he was trying to show the world…

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