TIFF19 REVIEW: Knives Out [2019]

The cow and the shotgun. No stranger to a good mystery—noir (Brick) or comedy (The Brothers Bloom)—Knives Out sees Rian Johnson getting back to a wholly original property before returning to the world of Star Wars. From the stellar cast to its Clue-esque estate (even he couldn’t resist that joke), this whodunit has looked impeccably positioned to deliver exactly what the genre demands while also dissecting and subverting it for good measure. That the final result might go even further than that only makes it more intriguing. Why? Well the…

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REVIEW: Much Ado About Nothing [2013]

“Get thee a wife!” Writer/director Joss Whedon finished principal photography on the most expensive and complex project of his career only to find himself starring a contractually obligated vacation in the face before beginning post-production. The Avengers had him contending with multiple superstar celebrities inside a computer-effects heavy world the likes of which a television career that utilized much of the same talent never came close to reaching. While no one would have blamed him for holing up on some beach to relax with his family, Whedon had other ideas.…

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REVIEW: The Last House on the Left [2009]

“Always go for the gold” I don’t usually get disgusted or squeamish when it comes to horror and gore, but after viewing The Last House on the Left remake, one of the many old Wes Craven films getting reworked, I have to admit, it was pretty harrowing. Does making me tense up and await some scenes’ conclusions make it an effective suspense/thriller? I’m not so sure. The plotline is thin, the result obvious, so as far as what will happen, there is very little question or anticipation. That being said,…

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