I’m feeling really cautious! When the only home Elmer Elevator (Jacob Tremblay) ever knew becomes deserted and the grocery his mother (Golshifteh Farahani‘s Dela) owned is foreclosed, the duo is forced to move to the big city of Nevergreen amidst its hustle, bustle, industrial pollution, and mistrustful inhabitants. Gone are the days of knowing your neighbors and finding them the perfect item hiding in one of the shop’s corners. Now it’s scrounging every penny in the hopes of paying rent to Mrs. McClaren (Rita Moreno) so as not to be…
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REVIEW: West Side Story [1961]
I’m frightened enough for the both of ya. What started as an idea to contemporize William Shakepeare‘s Romeo and Juliet on the East Side of Manhattan with star-crossed lovers of Irish Catholic and Jewish descent eventually found itself reworked to the opposite side of the island with religion removed so ethnicity could take its place. Jerome Robbins and Arthur Laurents altered things to hew closer towards the 1950s’ rise of street violence by embroiling rival gangs (descendants of Polish immigrants versus newly arrived Puerto Ricans) into a turf war. With…
Read MoreREVIEW: Remember Me [2017]
The last thing you and I need is for bodies to start piling up. I’d assume the majority of people treat/treated their grandparents as somewhat of an escape. They were family who you loved and cared for that had a home you could stay at whenever you wanted. So you showed face once in a while to do your due diligence in case that guest room was needed in the near future. Maybe you took them to a show, kept them company, or simply shared a meal. It’s a nice…
Read MoreFILM MARATHON: Movie Musicals #12: The King and I [1956]
“Etcetera, etcetera, etcetera” You don’t get much more dated than the 1956 musical edition of The King and I. Through all the pomp and circumstance, it’s the trite storyline of a wannabe-modern king and the British school teacher who thaws his barbaric ways that comes through. All that’s wrong with the Western world is brought to the forefront as this woman alters a culture from the inside out. These exotic places must be taught what it means to be just and moral without thinking about the generations of customs their…
Read MoreFILM MARATHON: Movie Musicals #9: Singin’ in the Rain [1952]
“Dignity, always dignity” With just two Oscar nominations—for supporting actress and musical score—the lack of love for Singin’ in the Rain at its release shouldn’t be too surprising. Crafted by MGM’s Arthur Freed to reuse the songs he and Nacio Herb Brown wrote for a slew of musicals in the 1930s, the film feels like a pastiche from start to finish, its flimsy underlying look behind the scenes at a few silent movie stars making the transition to talkies a simple construct on which to sing and dance. No disrespect…
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