REVIEW: The Northman [2022]

We thirst for vengeance, but we cannot escape our fates. Like the Brothers Grimm were to Disney with so many fairy tales, it appears Saxo Grammaticus was to William Shakespeare where it comes to Hamlet. The Danish historian’s lead character was Amleth—a young boy who witnesses the murder of his father and forced romance of his mother at the hands of his uncle before having to run away from the latter’s kill order so that he may return (if an ambitiously opportunistic soldier lies about watching him die). The parallels…

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TIFF19 REVIEW: The Lighthouse [2019]

Bad luck to kill a seabird. You can stop yourself from worrying about story the moment you sit down for Robert Eggers‘ The Lighthouse since there is none—at least none of value besides the simple premise of two men isolated on a foggy island with nothing but their wits (and nightmares) about them. Thomas Wake (Willem Dafoe) is the seasoned veteran and thus the man-in-charge of assigning tasks. That process is simple too: he gets to man the light from evening to morning while his latest compatriot Ephraim Winslow (Robert…

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REVIEW: The Witch [2016]

“We shall conquer this wilderness. It will not consume us.” I find it funny that the Satanic Temple has “endorsed” Robert Eggers‘ stunning debut The Witch considering its pro-Catholic message. The first thing we see is William (Ralph Ineson) standing before his 17th century Puritan plantation’s governors as his family is excommunicated and exiled into the neighboring New England woods. They believe they can survive alone once happening upon a tract of land with which to build a small farm, but without God’s protection tragedy befalls them. Suddenly the corn…

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