REVIEW: St. Vincent [2014]

“It is what it is” The Toronto International Film Festival appears to be embracing the quasi-family friendly odd couple comedy with R-rated color after last year’s Bad Words and this year’s St. Vincent, written and directed by Theodore Melfi and currently receiving theatrical release a month after its debut. Whereas the former went all-in with f-words and curry-holes, however, the latter is intent on retaining a strong sense of sentimentality. This isn’t necessarily bad—it simply forces the film into a sort of limbo existence. Because despite its PG-13 rating, the…

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BNFF10: The 4th Annual Buffalo Niagara Film Festival Recap

The Buffalo Niagara Film Festival closed out its fourth annual entry, ending a pretty great eight days of cinema. Attendance might have been stunted due to a plethora of activities in Buffalo, including a Salman Rushdie talk that prevented me from going to opening night and the brief return of Sabres hockey to the playoffs, but that did little to dampen the spirits of organizers, volunteers, or filmmakers. What makes this event uniquely great in comparison to an event like the Toronto International Film Festival is that you don’t have…

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BNFF10 REVIEW: The Beneficiary [2008]

“Go to bed darling” You never know who is watching or recording your daily moves. Theodore Mali’s The Beneficiary, a short film screened at the Buffalo Niagara Film Festival, expresses this idea both in its storyline and visual flair. While we watch the characters move along through the days this movie spans, the screen regularly cuts to different surveillance cameras showing another vantage point, recording common activities that seem like nothing, but could be hiding a crime when pieced together. The entire plot hinges on such an electronic record of…

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