REVIEW: Castello Cavalcanti [2013]

“Tarred, feathered, and spit-roasted …” I can get behind Wes Anderson‘s Castello Cavalcanti being considered a short film. Yes, it’s a Prada ad like Candy before it, but this one actually has a story fun enough to make you forget. There is humor in the camera movements (with one pan brilliantly hitching at the scream of a man in the restaurant that the lens was about to pass); fantastic visual comedy thanks to the 1955 Italian setting, destroyed Formula One car, and stone-faced cast devoid of English; and a wonderful…

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REVIEW: Hotel Chevalier [2007]

“I didn’t say you could come here” An unplanned prologue (to his producers) accompanying Wes Anderson‘s fifth film The Darjeeling Limited, Hotel Chevalier tells the story of Jack Whitman’s (Jason Schwartzman) complicated love. You could watch the feature without it and not lose much, but including it in the experience definitely adds something special like every hidden detail inside Anderson’s work. Besides seeing the context surrounding the bottle of perfume Jack finds in his suitcase and understand what Natalie Portman is doing in a blink and you’ll miss her cameo,…

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DVDS: Criterion Collection

My collection of DVDs from the venerable Criterion Collection, in order by spine number. (the package art is almost better than the films themselves) [fb-like-button]

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REVIEW: Fantastic Mr. Fox [2009]

“Never look a beagle in the eye” When I heard that Wes Anderson was going to direct a stop-motion adaptation of a Roald Dahl children’s story I was shocked, perplexed, and very worried. Not only had he stumbled—not fallen—with The Life Aquatic, but he was now also putting his talent behind a multi-year project. He thankfully fit in The Darjeeling Limited, bringing back a bit more of the magic his first three films contained, and because of it I frankly forgot Fantastic Mr. Fox was even on the table. After…

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REVIEW: The Darjeeling Limited [2007]

“We haven’t located us yet” The Life Aquatic with Steve Zissou is not my favorite Wes Anderson movie by any means. I had such high hopes for it after viewing his previous three films as a crescendo of precision and quality. Zissou ended up being more pretension and aimless drivel then something worth writing home about. Now, I didn’t hate the film, there is a lot to applaud him for, however, it slightly tarnished his do-no-wrong clout with me. In the years between then and now, though, we were given…

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