REVIEW: Black Wake [2018]

I’m the prophet and you’re the messenger. The amount of zombie properties flooding the market these days has created an unavoidable sense of fatigue. As a result artists have begun turning certain aspects on their heads in order to differentiate one vision from any other. Sometimes this means crossing genres, manufacturing elaborate new mythologies, or playing with aesthetic. Jeremiah Kipp‘s Black Wake attempts to do all three as it utilizes a found footage format to reveal a calamity that’s more invasion than viral apocalypse. There’s still a horde of blood-hungry…

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REVIEW: The Eyes [2017]

“Catered kidnapping with class” The premise is hardly fresh: six people wake in a room tied to chairs, strangers without a clue as to what’s happening. Think Saw. Think Unknown (the 2006 one). Think numerous films, television shows, and other forms of media that fit the bill. So how does Robbie Bryan‘s The Eyes set itself apart from them to make its use of the scenario fresh? That’s the make it or break it question able to render your experience captivating or excruciating. I personally do lean towards the former,…

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